Mountain Aesthetics in Early Modern Latin Literature

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A01=William M. Barton
Aesthetic Appreciation
appreciation
attitude
Author_William M. Barton
Bare Ridge
Category=DSB
Civitates Orbis Terrarum
conrad
De Montibus
Die Alpen
early modern mountain perception shift
environmental aesthetics
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Formal Aesthetic Property
gessner
Independent Landscape
jakob
johann
landscape
Landscape Appreciation
landscape theory
Mount Pilatus
Mountain Experience
Mountain Gloom
Mountain Glory
Mountain Landscape
Mountain Writing
natural
Natural Beauty
Natural Environmental Model
Natural Philosophical Texts
natural philosophy
neo-Latin literature
Renaissance geography
scenery
scheuchzer
Silius Italicus
Sphaera Mundi
Swiss Patriotism
Telluris Theoria Sacra
theological perspectives on nature
Tidal Basin
Tuscan Hills
Vice Versa

Product details

  • ISBN 9781138228641
  • Weight: 660g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In the late Renaissance and Early Modern period, man’s relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Over the course of these 300 years the mountain transformed from a fearful and ugly place to one of beauty and splendor. Accepted scholarly opinion claims that this change took place in the vernacular literature of the early and mid-18th century. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and Early Modern period. The aesthetic attitude shift towards the mountain had its catalysts in two broad spheres: the development of an idea of ‘landscape’ in the geographical and artistic traditions of the 16th century on the one hand, and the increasing amount of scientific and theological investigation dedicated to the mountain on the other, reaching a pinnacle in the late 17th and early 18th centuries. The new Latin evidence for the change in aesthetic attitude towards the mountain unearthed in the course of this study brings material to light which is relevant for the current philosophical debate in environmental aesthetics. The book’s concluding chapter shows how understanding the processes that produced the late Renaissance and Early Modern shift in aesthetic attitude towards the mountain can reveal important information about the modern aesthetic appreciation of nature. Alongside a standard bibliography of primary literature, this volume also offers an extended annotated bibliography of further Latin texts on the mountains from the Renaissance and Early Modern period. This critical bibliography is the first of its kind and constitutes an essential tool for further study in the field.

William Michael Barton is a Post Doctoral Researcher at the Ludwig Boltzmann Institute für Neulateinische Studien, Austria.

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