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Mouse Machine
A01=J P. Telotte
American studio
animation
Author_J P. Telotte
Category=ATFV
Category=JBCC1
Category=KNTC
company
digital filmmaking
entertainment
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eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
Fantasia
film studies
growth
history
industry
influential
innovation
live-action
mass communication
media studies
Pirates of the Caribbean
Pixar
popular culture
science fiction
society
special effects
stereophonic sound
Technicolor
technology
television
theme park
three-strip
Walt Disney
wide-screen
Product details
- ISBN 9780252075407
- Weight: 399g
- Dimensions: 152 x 229mm
- Publication Date: 09 Jun 2008
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Paperback
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Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world.
Hardbook is unjacketed.
Hardbook is unjacketed.
J. P. Telotte is a professor of film and media studies at Georgia Institute of Technology. He is coeditor of the journal Post Script and author of many books on film and media, including Disney TV, Voices in the Dark: The Narrative Patterns of Film Noir, and The Essential Science Fiction Television Reader.
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