Moved by Machines

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A01=Mark Coeckelbergh
agency and technology
artificial intelligence
Author_Mark Coeckelbergh
Book III
Category=AGA
Category=ATD
Category=AV
Category=QD
contemporary artefact-oriented philosophy
critical theory of technology
dance
dualistic metaphors
Embodied Music Cognition
embodied technology performance analysis
emerging technology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethics of automation
Feeds Back
Feenberg
Good Life
Health Informatics
human machine interaction
Human Technology Relations
ICTS
improvisation
Latour
Mark Coeckelbergh
metaphor
music
Music Performance
Normative Anchor Point
older machines
Performance Metaphor
performance philosophy
Performative Environment
performative epistemology
Performative Relation
Performative Turn
philosophy of embodiment
philosophy of technology
Play Things
Posthumanist View
postphenomenology
Ricoeur
Ricoeur's Narrative Theory
Ricoeur’s Narrative Theory
robots
Social Performers
social robotics research
Social Robots
Speed Bump
stage magic
STS Work
technoperformance
theatre
Theatre Metaphor
Universal Turing Machine
Van Elferen
Vice Versa

Product details

  • ISBN 9781032177724
  • Weight: 244g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Given the rapid development of new technologies such as smart devices, robots, and artificial intelligence and their impact on the lives of people and on society, it is important and urgent to construct conceptual frameworks that help us to understand and evaluate them. Benefiting from tendencies towards a performative turn in the humanities and social sciences, drawing on thinking about the performing arts, and responding to gaps in contemporary artefact-oriented philosophy of technology, this book moves thinking about technology forward by using performance as a metaphor to understand and evaluate what we do with technology and what technology does with us.

Focusing on the themes of knowledge/experience, agency, and power, and discussing some pertinent ethical issues such as deception, the narrative of the book moves through a number of performance practices: dance, theatre, music, stage magic, and (perhaps surprisingly) philosophy. These are used as sources for metaphors to think about technology—in particular contemporary devices and machines—and as interfaces to bring in various theories that are not usually employed in philosophy of technology. The result is a sequence of gestures and movements towards a performance-oriented conceptual framework for a thinking about technology which, liberated from the static, vision-centred, and dualistic metaphors offered by traditional philosophy, can do more justice to the phenomenology of our daily embodied, social, kinetic, temporal, and narrative performances with technology, our technoperformances.

This book will appeal to scholars of philosophy of technology and performance studies who are interested in reconceptualizing the roles and impact of modern technology.

Mark Coeckelbergh is Full Professor of Philosophy (Philosophy of Media and Technology) at the University of Vienna and part-time Professor of Technology and Social Responsibility at De Montfort University, UK. He is President of the Society for Philosophy and Technology, member of the High Level Expert Group on Artificial Intelligence of the European Commission, and member of the Robotics Council that advises the Austrian Federal Transport, Innovation, and Technology administration. He also contributes to ethics work of IEEE and the Foundation for Responsible Robotics.

An experienced book writer and researcher, he is the author of 9 monographs, including Growing Moral Relations (2012), Human Being @ Risk (2013), Environmental Skill (Routledge, 2015), Money Machines (2015), New Romantic Cyborgs (2017), and Using Words and Things (Routledge, 2017).

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