Movement Training for the Modern Actor

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A01=Mark Evans
actor physicality
Actor Training
Alexander Technique
Author_Mark Evans
Body Training
British Theatre Industry
Category=ATDC
copeau
Discursive Practices
drama
drama education research
Drama Schools
Effi Cient Body
english
English Drama Schools
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
festival
Fi Rst Year Student
Fl Esh
Francis Sparshott
international
jacques
Jacques Lecoq
Laban's Infl Uence
lecoq
Litz Pisk
London Theatre Studio
MMU
movement analysis techniques
Movement Training
Movement Tutor
neutral body theory
Neutral Mask
performance pedagogy
Physical Education
Physical Theatre Training
Professional Actor's Body
professional identity formation
Rose Bruford
Ruby Ginner
schools
Student Actor's Body
tutor
twentieth century actor training history
workshop

Product details

  • ISBN 9780415963671
  • Weight: 570g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Dec 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor.

The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.

Mark Evans is Associate Dean of the Coventry School of Art and Design at Coventry University. He recently published Jacques Copeau (Routledge Performance Practitioners series, 2006).

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