Moving Body and the English Romantic Imaginary

Regular price €51.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Kristin Flieger Samuelian
Act III
Anatomization
Ancient Pantomime
Author_Kristin Flieger Samuelian
Ballerina
British print culture
Category=ATQ
Category=DSA
Category=DSBF
Category=DSG
Country Dancing
cultural nationalism studies
Dance Floor
dance theory history
Dancing Body
Danse Macabre
Dense
Disengaged
embodiment in Romantic literature
English romantic imaginary
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fanny Price
gender and class identity
Gillray's Prints
Gillray’s Prints
Image Courtesy
La Sylphide
Liberal Art
Longitude Prize
Mansfield Park
Marie Taglioni
Mozart
Mozart's Opera
Mozart’s Opera
Noverre's Lettres
Noverre’s Lettres
periodical literature analysis
Quadrille Dancing
Romantic period
Romantic period performance
Sir Roger De Coverley
Somatic Art
Spectatorship
Theatrical Examiner
Young Men

Product details

  • ISBN 9781032002217
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The Moving Body and the English Romantic Imaginary explores ways in which England in the Romantic period conceptualized its relation both to its constituent parts within the United Kingdom and to the larger world through discussions of dance, dancing, and dancers, and through theories of dance and performance.

As a referent that both engaged and constructed the body—through physical training, anatomization, spectacle and spectatorship, pathology, parody, and sentiment—dance worked to produce an English exceptional body. Discussions of dance in fiction and periodical essays, as well as its visual representation in print culture, were important ways to theorize points of contact as England was investing itself in the world as an economic and imperial power during and after the Revolutionary period. These formulations offer dance as an engine for the reconfiguration of gender, class, and national identity in the print culture of late eighteenth- and nineteenth-century England.

Kristin Flieger Samuelian is an Associate Professor of English at George Mason University. She is the author of Royal Romances: Sex, Scandal, and Monarchy in Print, 17801821 (2010), as well as journal and anthology essays on Dickens, Austen, and Romantic periodicals.

More from this author