Moving Objects

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A01=Damon Taylor
art
Author_Damon Taylor
Category=AKP
Category=AKX
Category=JBCC2
Category=NHTB
critical design
culture
design
Droog
Dutch design
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
furniture
Hella Jongerius
high art
history
Jurgen Bey
material culture
Mathias Bengtsson
speculative design
surrealism
surrealist art

Product details

  • ISBN 9781350360006
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Feb 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. If postmodernism depended upon ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make.

Damon Taylor’s original study considers these emotionally laden, highly authored works, often produced in limited editions and sold like art – objects such as a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair.

Tracing the phenomenon back to the ‘Dutch inflection’ that began with Droog designers like Jurgen Bey and Hella Jongerius, Taylor conducts an analysis of the development of Design Art and looks for its origins in the uncanny explorations of surrealism. Offering a critique of Speculative Design, and an examination of the work of designers such as Mathias Bengtsson, whose work involves ‘growing’ furniture inside computers, Taylor asks what happens when the tangible melts into the datascape and design becomes a question of mobilities. In this way, Moving Objects examines contemporary issues of how we live with artefacts and what design can do.

Damon Taylor is is Principal Lecturer in Design Theory and Practice at the University of Brighton, UK. His research centres upon how our physical experience of the world coincides with our cultural, social and political relationship to designed objects.

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