Moving Word

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A01=Leslie James
African journalism
anti-imperial resistance
anticolonial media
anticolonialism
Author_Leslie James
Bill Schwarz West Indian Intellectuals in Britain
Black Atlantic
Black intellectual history
Black internationalism
Black journalism
Black political thought
Black politics
Black press
Brent Edwards The Practice of Diaspora
Caribbean journalism
Caribbean newspapers
Category=JBSL
Category=JPA
Category=NH
Category=NHH
Category=NHK
colonial media
colonial newspapers
colonial politics
colonial power
colonial print culture
colonial resistance
decolonization
diasporic media
editorial activism
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
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imperial press
independent press
journalistic practice
media activism
media autonomy
media history
newspaper culture
newspaper history
pan-Africanism
Penny Von Eschen Race Against Empire
political journalism
political press
political resistance
press freedom
press history
press independence
press networks
press professionalism
Robert Hill The Marcus Garvey and UNIA Papers
Stephen Howe Anticolonialism in British Politics
West African newspapers

Product details

  • ISBN 9780674279414
  • Weight: 759g
  • Dimensions: 156 x 235mm
  • Publication Date: 16 Dec 2025
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
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A revelatory account of Black Atlantic political thought in the era of decolonization, revealing how West African and Caribbean newspapers invigorated debates about imperialism, capitalism, and Black freedom.

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people.

Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony’s capacity to govern itself. Influenced by new political paradigms, papers either standardized their formats or stopped publishing altogether. By the 1960s, intellectual debates about racism and colonialism had moved to other kinds of publications.

Illuminating an extraordinary period in the history of Black Atlantic political thought, The Moving Word vividly portrays the power of experimental media.

Leslie James is Reader in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959.

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