Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Stanislaw Ignacy Witkiewicz
almayer's
Almayer's Folly
Almayer’s Folly
Aniela
Author_Stanislaw Ignacy Witkiewicz
avant-garde theatre
Bellatrix
Bullock
Category=DSBH
Category=DSG
City's Oldest Buildings
City’s Oldest Buildings
colonial encounter studies
colonialism and anthropology in drama
Compositional Possibilities
Crimson
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnographic drama
European imperialism analysis
Excessive Musicalizing
Fly River
Follow
folly
frog
golden
Golden Frog
helmet
interwar Polish literature
jim
Kinsmen
lord
moresby
MOTHER's Corpse
MOTHER’s Corpse
Museum Of Anthropology
Non-stop
pith
port
Port Moresby
postcolonial critique
Reborn
Smoothing
Stand Point
Time To Say Good Bye
Tropical Madness
Twilight
Wo
Worthwhile
Young Man

Product details

  • ISBN 9780415275064
  • Weight: 294g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2001
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The Polish playwright and artist Stanislaw Ignacy Witkiewicz, known as Witkacy, is now recognized as Poland's leading theatrical innovator of the interwar years and one of the outstanding creative personalities of the European avant-garde. This volume contains two of Witkacy's "tropical" plays inspired by the playwright's trip to Ceylon and Australia in 1914 with his close friend, the anthropologist Bronislaw Malinowski.
Mr. Price, or Tropical Madness is a drama of heightened passion and greed among British colonists in Rangoon who seem to have stepped out of Joseph Conrad's tales of the South Seas.
Metaphysics of a Two headed Calf, set in New Guinea and Australia, pits savage European imperialists against a native tribal Australia and pits savage European imperialists against a native tribal chieftain whose fetish of a great golden frog offers greater insight into the mystery of existence than the Westerners' shallow rationalism.
Both plays puncture the white rulers' poses of superiority and parody their images of the tropical Other. Also included in the volume are Witkacy's Foreword to Metaphysics of a Two-Headed Calf in which the playwright defends his concept of theatre as an autonomous art with a scenic language of its own and an appendix containing a documentary itinerary of Witkacy's journey to Ceylon.

Daniel Gerould is Lucille Lortel Distinguished Professor of Theatre and Comparative Literature at the City University of New York Graduate School. He is the Editor of Slavic and East European Performance, and has written, translated and edited numerous books and articles on avant-garde Polish and Russian Drama.

More from this author