Mulholland Drive

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A01=Justus Nieland
ambiguity in film
auteur cinema
Author_Justus Nieland
Cannes Film Festival
Category=ATFA
Category=ATFB
Category=ATFG
contemporary American cinema
cult films
David Lynch
dream logic
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film interpretation
film noir
forthcoming
Hollywood cinema
identity and memory
Laura Harring
Los Angeles in film
modernist cinema
Mulholland Drive
Naomi Watts
psychological thriller
queer cinema
queer eroticism
sapphic desire
Sight and Sound poll
surrealism

Product details

  • ISBN 9781805750826
  • Dimensions: 135 x 190mm
  • Publication Date: 12 Nov 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Mulholland Drive (2001), David Lynch’s hallucinatory noir, is one of cinema’s most original, despairing portraits of Hollywood’s dream factory. A backstudio film, Mulholland Drive follows bright-eyed actress Betty Elms (Naomi Watts), who arrives in Los Angeles and becomes caught in a mysterious conspiracy of power with Rita (Laura Harring), an alluring amnesiac.

Justus Nieland’s timely study approaches Mulholland Drive as a film haunted by the fragile infrastructure of its city. He revisits Mulholland Drive’s origins as a failed TV pilot for ABC, exploring Lynch’s relationship to various studios as material spaces of world-building and environmental control. He argues that LA’s unstable atmospheres and uncanny landscapes, with deep roots in the history of film noir, are the essential setting of Mulholland Drive’s tragic queer love story and its dark meditation on identity and fantasy.

Tracing the film’s enduring influence on contemporary film culture, Nieland shows how Mulholland Drive’s radical ambiguity continues to provoke obsession and interpretation. Born of an analogue world of paint, plastic and celluloid, Lynch’s surreal masterpiece now enjoys an eternal digital afterlife among fans.

Justus Nieland is Professor of English and Film Studies and Chairperson of the Department of English at Michigan State University, USA. His most recent book, Happiness by Design: Modernism and Media in the Eames Era (2020) was shortlisted for the 2021 Modernist Studies Association Book Prize. He is also author of David Lynch (2012) and co-author (with Jen Fay) of Film Noir: Hard-Boiled Modernity and the Cultures of Globalization (2009).

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