Multilevel Grounding

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A01=Mihailo Antovic
affective response in music
Author_Mihailo Antovic
Category=AVA
Category=JMQ
Category=JMR
conceptual framework
cross-modal mapping
cultural music interpretation
dichotomies
embodied music perception
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
formalism
grounding
hierarchical musical semantics model
multilevel
music
music cognition
musical meaning
referentialism
semiotic theory

Product details

  • ISBN 9780367467388
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Multilevel Grounding develops a new approach to musical meaning—Multilevel-Grounded Semantics, addressing the well- known paradox that music seems full of meaning yet there is little consensus among listeners on what exactly it is that this meaning communicates. Offering a balance between formalist and referentialist approaches, Antovi ć ’s theory proposes that musical signifi cation emerges from constant cross- space mappings between the musical structure and the listener’s experience. The process is crucially constrained by several hierarchical and partly recursive levels of grounding: perceptual, schematically embodied, affective, conceptual, culturally elaborated, and individual. These levels are responsible for a range of phenomena that increase in complexity, from involuntary bodily responses to the manipulation of musical expectancies over cross- modal inferences relating the musical parameters to spatial domains to full- fl edged experiential narratives accompanying the music, as in opera or fi lm scoring. The book combines cutting edge insights from the fi elds of philosophy of mind, cognitive science, semiotics, linguistics, and music cognition, using a broad range of examples from traditional, classical, and popular world musics, into a theoretical system that shows how the focus on the grounding problem may help researchers convincingly resolve the apparent ungraspability of musical semantics.

Mihailo Antović is Professor in the Faculty of Philosophy, and Head Researcher at the Centre for Cognitive Sciences, University of Niš , Serbia. He has published extensively in the areas of cognitive linguistics, semantics, semiotics, and music cognition, including three books in Serbian and numerous articles in international journals and edited volumes. He is the recipient of Fulbright and Humboldt Fellowships.

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