Multimodal Film Analysis

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A01=John Bateman
A01=Karl-Heinrich Schmidt
advanced film sequence analysis
Alternate Syntagma
Author_John Bateman
Author_Karl-Heinrich Schmidt
Autonomous Segment
bracket
Bracket Syntagma
Category=ATFA
Category=CBX
Category=CFG
Category=DS
Category=JBCT
Category=NH
cinematic meaning construction
Content Portions
discourse
discourse analysis
Discourse Semantics
Discourse Stratum
Distinct Semiotic Modes
E18 E19 E20 E21 E22
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Es Si
film semiotics
grande
Grande Syntagmatique
Iti Ne
Layouting Process
Mechanical Duplication
Metz's Account
Metz’s Account
mode
multimodal communication theory
organisation
Paradigmatic Description
Partition Set
Phrase Structure Rules
Ro Om
Room
semantics
semiotic
Semiotic Mode
Semiotic System
Space Time Regions
syntagma
Syntagma Type
syntagmatic
Syntagmatic Organisation
syntagmatic paradigmatic analysis
syntagmatique
Tv Studio
visual narrative structure

Product details

  • ISBN 9780415754439
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Apr 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theory—including accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced ‘layout structure’—builds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films.

With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?

John Bateman is professor of Applied Linguistics in the English and Linguistics Departments of the University of Bremen, specializing in functional, computational and multimodal linguistics. Karl-Heinrich Schmidt is professor of Electronic Media at the Bergische University of Wuppertal.

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