Multimodal Stylistic Approach to Screen Adaptations of the Work of Alice Munro

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A01=Sabrina Francesconi
adaptation studies
Alice Munro
audiovisual media
audiovisual storytelling techniques
Author_Sabrina Francesconi
Canadian Broadcasting Corporation Tv
Category=ATF
Category=ATJ
Category=DSBJ
Category=DSK
comparative media analysis
Dead Man
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fidelity Discourse
Film Adaptation
Film Dialogue
Follow
gender representation film
Happy Shades
intertextuality studies
Lemon Meringue Pie
Lions Gate Films
Long Shots
Marian's House
Marian’s House
multimodal adaptation analysis
Multimodal Stylistic
multimodal stylistics
multimodality
Munro's Story
Munro’s Story
narrative transformation
Non-transferable Elements
Sabrina Francesconi
Screen Adaptations
Shakespeare's Richard III
Shakespeare’s Richard III
Short Story Form
socio-semiotic framework
Spanish Language
Superimposed
Transmedia Storytelling
Tv Adaptation
Tv Series
USA
Young Men

Product details

  • ISBN 9781032025476
  • Weight: 300g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume brings together perspectives from multimodal stylistics and adaptation studies for a unified theoretical analysis of adaptations of the work of Alice Munro, demonstrating the affordances of the approach in furthering interdisciplinary research at the intersection of these fields

The book considers films and television programmes as complex multimodal stylistic systems in and of themselves in order to pave the way for a clearer understanding of screen adaptations as expressions of modal, medial, and aesthetic change. In focusing on Munro, Francesconi draws attention to a writer whose body of work has been adapted widely across television and film for an international market over several decades, offering a diachronic overview and insights into the confluence of socio-cultural contexts, audiences, and dynamics of production and distribution across adaptations. The volume complements this perspective with a microanalysis of the adaptations themselves, exploring the varied creative use of audio-visual dimensions, including sound, light, and movement. The book seeks to overcome simplified fidelity-based understandings of screen adaptations more broadly, showcasing creative multi-layered approaches to a creator’s oeuvre to effect true transformation across media and modes.

The volume will be of interest to scholars in multimodality, adaptation studies, film studies, and comparative literature.

Sabrina Francesconi is Associate Professor of English Linguistics at the University of Trento. Her research interests are tourism and heritage discourses, adaptation studies, Canadian studies, humour studies, multimodal analysis, multimodal genre analysis, multimodal stylistics, and systemic-functional stylistics.

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