Multivalence of an Epic

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
11th-13th Century CE
5th Century CE
Angkor Wat
Anticlockwise
Banteay Srei
Bhakti
Bhakti Text
Bhatti
Bhaṭṭi
Category=AGA
Category=JBSL
Category=JHB
Category=QDHC
Category=QDTN
Category=QRDF
Central Java
comparative mythology
cross-cultural adaptation
Durga Temple
epic narrative traditions
Epic Poetry
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Follow
Golden Deer
Hanuman
Javanese Text
Kakawin
Kandas
Khmer Temples
Kumaran Asan
Kāṇḍas
Main Character
performance studies Asia
Photograph Courtesy
Ramayana
Ramayana Story
religious epic transmission
Shadow Play
South Asian epic reinterpretation
South India
Tamil Country
Tamil Nadu
Valmiki's Ramayana
Valmiki’s Ramayana
visual storytelling analysis
Wayang Kulit
Wayang Kulit Performances

Product details

  • ISBN 9781032599120
  • Weight: 940g
  • Dimensions: 178 x 254mm
  • Publication Date: 06 Oct 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This volume examines The Rāmāyaṇa traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Rāmāyaṇa studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Rāmāyaṇa in changing socio-political, religious, and cultural contexts.

The journey and localization of the Rāmāyaṇa is explored in its manifold expressions – from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Rāmāyaṇas from different parts of South India and Southeast Asia are placed in deliberate juxtaposition to enable a historically informed discussion of their connected pasts across land and seas. The three parts of this volume, organized as visual, literary, and performance cultures, discuss the sculpted, painted, inscribed, written, recited, and performed Rāmāyaṇas. A related emphasis is on the way boundaries of medium and genre have been crossed in the visual, literary, and performed representations of the Rāmāyaṇa.

Parul Pandya Dhar is art historian and professor in the Department of History, University of Delhi. She has authored The Toraṇa in Indian and Southeast Asian Architecture (2010), edited Indian Art History: Changing Perspectives (2011), and co-edited Temple Architecture and Imagery of South and Southeast Asia (2016), Asian Encounters: Exploring Connected Histories (2014), and Cultural Interface of India with Asia (2004), besides contributing several research articles.