Mum Fans

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A01=Ye Li
algorithmic data
Author_Ye Li
Category=GTM
Category=JBCC1
Category=JBSF1
Category=JHB
Category=NH
Category=NHTB
celebrity culture
China
Chinese popular culture
Confucian gender roles
Confucianism
datafication of fandom
digital motherhood in China
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fan culture
fan studies
feminism
gender
gender studies
identity
idols
mothering
mum
mum fans
mums
online fan communities
qualitative and quantitative analysis
social media
socialist ideologies
women

Product details

  • ISBN 9781032706627
  • Weight: 570g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 May 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the phenomenon of “mum fans”: fans who identify themselves as their idols’ mothers and participate in online, data-related fan activities termed “parenting.” With over 50% active fans identifying as mum fans in China, the vast majority of whom have no children and state no desire to have children in real life, it examines their creation of a unique identity against a backdrop of conflicting and ever-evolving cultural influences.

Attending to the fact that in traditional Chinese culture, the term “mum” holds both sacred and taboo status, the author considers whether the mum fans’ appropriation of the term represents conformity or rebellion against existing gender norms, and explores the interplay in their practices of a range of influences, including Confucianism, socialism, the one-child policy, liberalism, feminism, pop culture, and fan culture. Through a combination of qualitative and quantitative research, Mum Fans: Identity, Feminism, and Fan Culture in Contemporary China offers analyses of the interrelations that exist between fans, social media, data technology, and the idol industry, thus constituting original and unique study of the cultural foundations of mum fan identities and participants’ data parenting practices as a unique expression of Chinese feminism.

It will therefore appeal to scholars of sociology and anthropology with interests in fan cultures, gender, data and algorithm culture, and contemporary Chinese society.

Li Ye is an associate professor at the School of New Media at Sichuan Film and Television University, China, where she specializes in teaching courses pertaining to new media and communication. Her research interests predominantly revolve around fan studies, gender studies, and new media studies.

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