Murder in Motion

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A01=Michael Mirabile
Author_Michael Mirabile
Category=DSBH
Category=GT
Category=JBSD
Category=JHBA
cities
cityscape
crime
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
fiction
film
globalization
human geography
identity
identity formation
industrial
literature
metropolitan anxiety
mobility
modern
narrative analysis
postindustrial
postmodern
public
social acceleration
social geography
social psychology
social theory
sociology
space
suspense
suspense theory
technological change in thrillers
thriller
transit
urban
urban sociology
urban studies

Product details

  • ISBN 9781032789293
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Apr 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Murder in Motion examines the fictional category of the thriller – a genre founded on the effects and objects of suspense – through the lens of city dwelling. In particular, the purpose is to locate the mechanism of suspense against the backdrop of the increased mobility and speed of modern life, employing exegetical tools drawn from urban sociology and related fields to determine the significance of representations of anxiety within metropolitan settings.

Existing scholarship has tended to treat suspense as a technique of temporal delay and the thriller as a formal genre. Quite differently, this study reads key (literary, cinematic, and televisual) narratives in relation to epochal transformations of society, from industrialization and modernity to globalization, placing emphasis on the intersection of modern transport and identity. It is a phenomenon the sociologist Hartmut Rosa has designated "social acceleration." It becomes evident through the classical, modernist, and postmodernist phases of the thriller, while the meaning of suspense changes according to the velocity and spatial compressions resulting from technological change.

The audience for the book will be students, instructors, and researchers in literary studies, film studies, and media studies, as well as researchers in sociology and critical theory.

Michael Mirabile is an Assistant Professor of English at Lewis & Clark College, where he teaches courses in film and post-World War II fiction. He earned a PhD in Comparative Literature from Yale University. He is the author of Edges of Noir: Extreme Filmmaking in the 1960s (2024).

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