Museum’s Borders

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A01=Simon Knell
African American Artists
Art History
Author_Simon Knell
BiH
Black artists
Border Construction
Border Studies
Border Zone
Bosnia
Category=GLZ
Category=JBCC
Category=JHB
Category=JHMC
Category=JP
Contemporary Museology
Contemporary Society
critical museology research
cultural identity formation
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eq_isMigrated=2
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eq_non-fiction
eq_society-politics
Ethical Borders
exclusion in museums
Hero's Journey
Hungarian National Gallery
Information Superhighway
Knell's 'Contemporary Museology'
knowledge production
Knowledge Transparency
knowledge-based democracies
memory politics
museum ethics
Museum Studies
Museum's borders
National History
National Libraries
National Museums
Nordiska Museet
postcolonial heritage
Public Sector Management Literature
Puerto Rican Artists
Red Tourism
UK Border Agency
Windrush Generation
Young Men

Product details

  • ISBN 9780367486471
  • Weight: 460g
  • Dimensions: 138 x 216mm
  • Publication Date: 08 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Museum’s Borders demonstrates that museum practices are deeply entangled in border making, patrol, mitigation and erasure, and that the border lens offers a new tool for deconstructing and reconfiguring such practices.

Arguing that the museum is a critical institution for the operation of knowledge-based democracies, Knell investigates how they have been used by scientists, art historians and historians to construct our bordered world. Examining the role of museums in the Windrush scandal in Britain, the exclusion of Black artists in America, ideological and propaganda discourses in Europe and China, and the remembering of contested pasts in the Balkans, Knell argues for the importance of museums in countering unethical, nationalistic, post-fact political discourse.

Using the principles of Knell’s ‘Contemporary Museology’, The Museum’s Borders considers the significance of the museum for societies that wish to know and remember in ways that empower citizens and build cohesive societies. The book will be of great interest to students and academics engaged in the study of museums and heritage, art history, science studies, cultural studies, anthropology, memory studies and history. It is required reading for museum professionals seeking to adopt non-discriminatory practices.

Simon Knell is Professor of Contemporary Museology at the School of Museum Studies, University of Leicester, UK.

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