A01=Eric Chevillard
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Author_Eric Chevillard
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B01=Daniel Medin
B06=Daniel Levin Becker
Category1=Non-Fiction
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Category=DNL
COP=United States
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Eric Chevillard
farce
French literature
humor
language
Language_English
linguistics
meaning
museum
observation
PA=Available
Price_€10 to €20
PS=Active
softlaunch
theatrics
translated literature
translation
verbal
wordplay
Product details
- ISBN 9780300254112
- Dimensions: 127 x 197mm
- Publication Date: 26 Mar 2024
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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The daring, mischievous micro-essays of award-winning French humorist Éric Chevillard, published in English for the first time
Éric Chevillard is one of France’s leading stylists and thinkers, an endlessly inventive observer of the everyday whose erudition and imagination honor the legacy of Swift and Voltaire—with some good-natured postmodern twists.
This ensemble of comic miniatures compiles reflections on chairs, stairs, stones, goldfish, objects found, strangers observed, scenarios imagined, reasonable premises taken to absurd conclusions, and vice versa. The author erects a mental museum for his favorite artworks, only to find it swarming with tourists. He attends a harpsichord recital and lets his passions flare. He happens upon a piece of paper and imagines its sordid back story. He wonders if Hegel’s cap, on display in Stuttgart, is really worth the trip.
Throughout, Chevillard’s powers of observation chime with his verbal acrobatics. His gaze—initially superficial, then deeply attentive, then practically sociopathic—manages time and again to defamiliarize the familiar with a coherent and charismatic charm. Daniel Levin Becker’s translation deftly renders the marvels of the original, and a foreword by Daniel Medin offers rich contextual commentary, making a vital wing of French literature and humor newly accessible in English.
Éric Chevillard is one of France’s leading stylists and thinkers, an endlessly inventive observer of the everyday whose erudition and imagination honor the legacy of Swift and Voltaire—with some good-natured postmodern twists.
This ensemble of comic miniatures compiles reflections on chairs, stairs, stones, goldfish, objects found, strangers observed, scenarios imagined, reasonable premises taken to absurd conclusions, and vice versa. The author erects a mental museum for his favorite artworks, only to find it swarming with tourists. He attends a harpsichord recital and lets his passions flare. He happens upon a piece of paper and imagines its sordid back story. He wonders if Hegel’s cap, on display in Stuttgart, is really worth the trip.
Throughout, Chevillard’s powers of observation chime with his verbal acrobatics. His gaze—initially superficial, then deeply attentive, then practically sociopathic—manages time and again to defamiliarize the familiar with a coherent and charismatic charm. Daniel Levin Becker’s translation deftly renders the marvels of the original, and a foreword by Daniel Medin offers rich contextual commentary, making a vital wing of French literature and humor newly accessible in English.
Éric Chevillard (b. 1964) is an award-winning French writer. His many books include The Valiant Little Tailor, Prehistoric Times, and Palafox. Daniel Levin Becker is the author of Many Subtle Channels and What’s Good and a member of the Parisian literary collective OULIPO. Daniel Medin is professor of comparative literature and English at the American University of Paris and a director of its Center for Writers and Translators.
