Museums as Assemblage

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A01=Jasmin Pfefferkorn
affect theory in museums
Affective Assemblage
Affective Museum
Age Group_Uncategorized
Age Group_Uncategorized
art history
Assemblage
Assemblage Systems
Auckland Museum
audience interaction analysis
Author_Jasmin Pfefferkorn
automatic-update
Case Studies
Category1=Non-Fiction
Category=GLZ
Category=GM
Category=HDA
Category=NKA
Category=WTHM
Common Notion
contemporary museum
Contemporary Society
COP=United Kingdom
cultural studies
curatorial studies
Delivery_Delivery within 10-20 working days
dynamic art museum practices
Emergent Assemblage
Emergent Museum
eq_isMigrated=2
eq_nobargain
Expressive Role
Follow
Government Bodies
institutional critique
Ko Tawa
Language_English
Lee Ufan
Material Role
multisensory exhibition design
Museum Assemblage
Museum Practice
Museum Professionals
Museums
NGV
Normative Assemblage
PA=Available
participatory curation
Price_€20 to €50
PS=Active
Responsive Practices
softlaunch
Staatsgalerie Stuttgart
Uploading
Van Abbemuseum
Visitor Component
visitor engagement strategies
Visitor Feedback

Product details

  • ISBN 9781032494203
  • Weight: 360g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Museums as Assemblage offers a new way of thinking about the dynamism of art museums.

Using the concept of assemblage, this book unpacks relations between visitors, artists, museum staff, and the museum’s nonhuman components, providing an analytical framework that celebrates the complexity of museums today. It takes the Museum of Old and New Art (Mona) in Tasmania as its primary case study but situates it in global trends by drawing on a range of examples from art museums across Australia, New Zealand, Europe, and East Asia. It provides insight into how perceptions around engagement are enabled and constrained in the context of different museums and highlights the necessity of an analytical framework that accommodates the complexity and multiplicity of the contemporary museum landscape.

With an emphasis on visitor experience and curatorial strategy, the book is valuable for students and researchers in museum studies, art history, curatorial studies, and cultural studies.

Jasmin Pfefferkorn is a postdoctoral research fellow in The University of Melbourne’s School of Culture and Communication. Her research centres on museum studies, aesthetics, digital and computational cultures, media and communications, and visual culture. She is the co-founder of the research group CODED AESTHETICS and teaches master's students in global media communications and arts and cultural management.

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