Museums as Cultures of Copies

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Alice Blackwell
Anna Simandiraki-Grimshaw
Anne Eriksen
Anne Folke Henningsen
archaeological artefacts
Ars Apodemica
Bertel Thorvaldsen
Bodil Axelsson
Brenna
Category=GLZ
Christopher Whitehead
Copies
Copy
Copying Practices
Culture
curatorial practice
Dam Christensen
Death Masks
digital reproduction in museums
Elmyr De Hory
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eq_isMigrated=2
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ethnographic display
Felix Sattler
Geoffrey N. Swinney
Gezi Park
Gogh
Gonul Bozoglu
Hamran
Hans Dam Christensen
Henry McGhie
Heritage
heritage studies
High Resolution Reproductions
Janne W. Olsrud
Joanna Iranowsk
Liv Emma Thorsen
Marcus Boon
Mari Lending
Martin Goldberg
Mashantucket Pequot Museum
material culture theory
Memory
Mies Van Der Rohe Archives
Mimesis
Munch Museum
museum copying machine
museum documentation
Museums
Myotis Lucifugus
National Library
National Museums Scotland
Nordic Cultural Policy
Nordic Museum
Norsk Folkemuseum
Norwegian Museum
Objects
Olav Hamran
Ole Marius Hylland
Part III
Performative Model
Peter Davidson
Practice
provenance research
Replica
replica production
Replicas
Royal Norwegian Society
Samuel J.M.M. Alberti
Siv Froydis Berg
Textual Copy
Thorvaldsens Museum
Vincent Van Gogh
Young Man

Product details

  • ISBN 9780815364917
  • Weight: 690g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Dec 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Few institutions are warier of copies than museums. Few fields of knowledge are more prone to denounce copies as fake than the heritage field. Few discourses are as concerned with authenticity, aura, originals and provenance as those concerning exhibiting and collecting. So why is it that these are institutions, fields and discourses where copies proliferate and copying techniques have thrived for hundreds of years? Museums as Cultures of Copies aims to make the copying practices of museums visible and to discuss, from a range of interrelated perspectives, precisely what function copies fulfil in the heritage field and in museums today.

With contributions from Europe and Canada, the book interrogates the meaning of copies and presents copying as a fully integrated part of museum work. Including chapters on ethnographic mannequins, digitalized photos, death masks, museum documentation and mechanical models, contributors consider how copying as a cultural form changes according to time and place and how new forms of copying and copy technologies challenge and expand museum work today. Arguing that copying is at the basis of museum practice and that new technologies and practices have been taken up and developed in museums since their inception, the book presents both heritage work and copies in a new light.

Museums as Cultures of Copies should be of great interest to academics, scholars and postgraduate students working in the fields of museum and heritage studies, as well as visual studies, cultural history and archaeology. It should also be essential reading for museum practitioners.

Brita Brenna is Professor of Museology and Head of Centre for Museum Studies at the University of Oslo, Norway.

Hans Dam Christensen is Professor of Cultural Communication at the Royal School of Library and Information Science, University of Copenhagen, Denmark.

Olav Hamran is Head of Research and Development, Arts Council Norway.