Museums, Heritage and Indigenous Voice

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A01=Bryony Onciul
Author_Bryony Onciul
Blackfoot
Blackfoot Community
Blackfoot Crossing
Blackfoot Culture
Blackfoot Gallery
Blackfoot Life
Blackfoot People
Blackfoot Territory
Buffalo Jump
Buffalo Nations
Category=JBSL11
Category=JHM
Category=WTHM
Common Experience Payment
community engagement
Crane Bear
decolonization
Engagement Zone
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
First Nations
Glenbow Museum
heritage
Human Development Index
Indian Act
indigenous representation
Le Ry
museums
new museology
Oxford UK
Pierre Gaultier De Varennes
postcolonialism
public history
Residential School Era
Royal Alberta Museum
Royal British Columbia Museum
Traditional Blackfoot
Wax Fi Gures
Wax Figures
Young Man

Product details

  • ISBN 9781138781115
  • Weight: 521g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jul 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation.

Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization.

Dr. Bryony Onciul is a Lecturer in Public History at the University of Exeter. She researches, teaches, and publishes in her areas of interests, including community engagement, indigenising and decolonising museology, identity and performance, understanding place, difficult histories, repatriation, truth and reconciliation, and the power and politics of representation.

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