Museums in a Digital Age

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accessibility in heritage
California State University
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Communication Protocols
computer
computing
cultural
cultural data management
Cultural Heritage Institutions
Digital Cultural Heritage
digital curation
Digital Heritage
Digital Information
Digital Library Materials
digital object authenticity
Digital Preservation
Digital Preservation Action
Digital Reproduction
DNA Pattern
Documentation Departments
Electronic Hypertext
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heritage
informatics
information
interactive exhibition design
Museum Computing
museum informatics
network
Online Museums
Play Back
Remote Visitors
Rst Century
science
Semantic Web
semantic web applications in museums
Telephone Exchange
UK Museum
UK National Press
Vice Versa
virtual
W3C WAI
WAI Guideline

Product details

  • ISBN 9780415402613
  • Weight: 1040g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Dec 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The influence of digital media on the cultural heritage sector has been pervasive and profound. Today museums are reliant on new technology to manage their collections. They collect digital as well as material things. New media is embedded within their exhibition spaces. And their activity online is as important as their physical presence on site.

However, ‘digital heritage’ (as an area of practice and as a subject of study) does not exist in one single place. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing.

It is this diaspora of material and practice that this Reader is intended to address. With over forty chapters (by some fifty authors and co-authors), from around the world, spanning over twenty years of museum practice and research, this volume acts as an aggregator drawing selectively from a notoriously distributed network of content. Divided into seven parts (on information, space, access, interpretation, objects, production and futures), the book presents a series of cross-sections through the body of digital heritage literature, each revealing how a different aspect of curatorship and museum provision has been informed, shaped or challenged by computing.

Museums in a Digital Age is a provocative and inspiring guide for any student or practitioner of digital heritage.

Ross Parry is Senior Lecturer in Museum Studies at the University of Leicester, a scholar of digital heritage and a historian of museum media and technology. He is the author of Recoding the Museum: digital heritage and the technologies of change, the first major history of museum computing.