Home
»
Music and Performance Culture in Nineteenth-Century Britain
Music and Performance Culture in Nineteenth-Century Britain
Regular price
€198.40
603 verified reviews
100% verified
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Close
American Temperance
anacreontic
British salon music
Category=AVLA
Category=NHD
Chopin
choral ensemble history
Dual Control System
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fryderyk Chopin
Henry Smart
John Marsh
John Marsh Journals
london
National Biography
nicholas
Nicholas Temperley
Nineteenth Century British Music
nineteenth-century musicological research
orchestral performance practice
Pedal
Pedal Boards
Pedal Pipes
piano pedagogy nineteenth century
Psalm Tunes
Queen's Hall
Queen’s Hall
Sir George Smart
society
sol-fa
Spencer's Influence
Spencer’s Influence
synagogue
synagogue music studies
Temperance Song
times
tonic
Tonic Sol Fa
Victorian musical societies
violin
Violin Times
west
West London Synagogue
Westminster Abbey
Working Men's Society
Young Man
Product details
- ISBN 9781409439790
- Weight: 816g
- Dimensions: 156 x 234mm
- Publication Date: 28 May 2012
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
Bennett Zon is Professor of Music at Durham University and Co-Director of the International Network for Music Theology. Zon researches British culture of the long nineteenth-century, with particular interest in the relationship of music to evolutionary and theological thought. He has published The English Plainchant Revival (1999), Music and Metaphor in Nineteenth-Century British Musicology (2000) and Representing Non-Western Music in Nineteenth-Century Britain (2007). Zon is General Editor of Nineteenth-Century Music Review and the 'Music in Nineteenth-Century Britain' book series.
Music and Performance Culture in Nineteenth-Century Britain
€198.40
