Music and Performance in the Book of Hours

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A01=Michael Alan Anderson
Adoramus Te
Age Group_Uncategorized
Age Group_Uncategorized
Antiphons
art and memory studies
Author_Michael Alan Anderson
automatic-update
Ave Maris Stella
Beinecke Rare Book
Category1=Non-Fiction
Category=AVC
Category=AVGD
Category=AVLK
COP=United Kingdom
Delivery_Pre-order
devotional manuscripts
Dialogues
Diffusa Est Gratia
Domine Labia Mea Aperies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
fifteenth-century French prayer books
genre
Gloria Patri
Gloriosa Domina
Holy Man
Hymn Ave Maris Stella
Hymns
Kyrie Eleison
Language_English
late medieval liturgy
Lauda Sion Salvatorem
Mass for the Virgin
Matins Responsory
Media Distinctio
music theory
Nunc Dimittis
PA=Temporarily unavailable
Pater Noster
Penitential Psalms
plainchant analysis
Price_€20 to €50
PS=Active
Psalm Recitation
Psalm Tones
Psalm Verse
Psalms
Recitation Tone
Responsories
ritual enactment studies
Salve Regina
Salve Sancta Parens
scribal practices
Seven Penitential Psalms
softlaunch
Stabat Mater
Suffrages
The Litany
Veni Creator Spiritus
Veni Sancte Spiritus

Product details

  • ISBN 9780367691387
  • Weight: 520g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages.

Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category.

The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history.

Michael Alan Anderson is Associate Professor of Musicology at the Eastman School of Music, University of Rochester. He specializes in European sacred music from the fourteenth to the sixteenth century, with emphasis on lay devotion and saints.

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