Music and Science

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A01=Tuomas Eerola
Age Group_Uncategorized
Age Group_Uncategorized
auditory cognition
Author_Tuomas Eerola
automatic-update
Category1=Non-Fiction
Category=AV
Category=JMR
computational analysis of musical perception
COP=United Kingdom
corpus analysis techniques
Delivery_Pre-order
digital humanities and media studies
empirical research methods
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
experience of music
experimental design music
Language_English
music and research ethics
music perception
music psychology
open access
PA=Not yet available
Price_€20 to €50
PS=Forthcoming
R and analysis of music
softlaunch
statistical data analysis
transparent research practices

Product details

  • ISBN 9781032277066
  • Weight: 550g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Music and Science provides an introduction and practical guidance for a scientific and systematic approach to music research. Students with a background in humanities may find the field hard to tackle and this accessible guide will show them how to consider using an appropriate range of methods, introducing them to current standards of research practices including research ethics, open access, and using computational tools such as R for analysis. These research methods are used to identify the underlying patterns behind the data to better understand how music is constructed and how we are influenced by music. The book focusses on music perception and the experience of music as approached through empirical experiments and by analysing music using computational tools spanning audio and score materials. The process of research, collaboration, and publishing in this area of study is also explained and emphasis is given to transparent and replicable research principles. The book will be essential reading for students undertaking empirical projects, particularly in the area of music psychology but also in digital humanities and media studies.

Tuomas Eerola is Professor of Music Cognition in the Department of Music, University of Durham

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