Music and Solidarity

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A01=Felicity Laurence
Ahmed Aydoun
Archie Roach
Australia's International Human Rights
Australia’s International Human Rights
Author_Felicity Laurence
Barbara Dunn
Black Arm Band
Bowen Elizabeth
Category=AV
collective identity theory
CoMT
consciousness
Contemporary Societies
cross-cultural empathy
Dona Nobis Pacem
El Sistema
Environmentalist NGO
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Facilitated Dialogue Process
Feki Soufiane
Felicity Laurence
Feriel Bouhadiba
Gdp Measure
Hakima Fakher
Individual's Cultural Environment
Individual’s Cultural Environment
Intangible Cultural Heritage
intercultural communication
Iso Principle
Itir Toksoz
Live Music Program
Maria Elisa Pinto Garcia
Michael Golden
music in conflict resolution
Music Therapists
Music Therapy
Nelson Mandela
Northern Territory Emergency Response
Olivier Urbain
Peace Memorial Park
peacebuilding strategies
Sertab Erener
social justice studies
therapy
transformative music interventions
Turkish Music
universal
Vanessa Contopulos
Vice Versa
West East Synthesis
Western Musical Instruments
Yothu Yindi

Product details

  • ISBN 9781412842303
  • Weight: 317g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 May 2011
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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The philosopher Christopher Small suggests that musical meanings are concerned with relationships, both with other human beings and with the world, and that music functions as a means of exploration, affirmation, and celebration of those relationships. If members of different social groups have different values, or different concepts of ideal relationships, then the kinds of performances that enact those relationships will differ from one another.

Using music to express benevolent intentions is not, in general, one of its most obvious functions. In fact, military music has been used throughout history to destroy cross-cultural communion. Music is also a powerful and ubiquitous tool in propaganda, and in facilitating various political projects in all kinds of inventive ways that have nothing much to do with the pursuit of peaceful and cooperative intercultural understanding, or with helping people address issues of injustice.

This text moves far beyond the knowledge of music's power upon humans, however this may be conceived and explained. It addresses a field of inquiry that is still a tiny endeavor, at least in comparison with all other academic efforts in the world. The sparseness of serious theoretical engagement with the topic of music's potential role in the area of peace and policy is echoed by how little music is directly used in the "real world" for building a more humane consciousness. Finding ways to that goal is the purpose of this work.

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