Antonio Gardane
Bin Der
Category=AVA
Category=AVQ
Category=JBCC
Cipriano De Rore
De Rambouillet
Di Lassus
Emil Hertzka
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Francesco Rasi
Giacomo Vincenti
Henry III
historical interpretation of musical scores
historical musicology
Hor Che
Il Pastor Fido
James Haar
Kate Van Orden
Katherine Bergeron
Lasso's Music
Lisa Perella
LU
Lyrical Piano Piece
Madrigali Guerrieri
Marquise De Rambouillet
Martha Feldman
Mentre Vaga Angioletta
music dissemination
music publishing history
music publishing industry
musical authorship
musicology
Orlando Di Lasso
performance practice
Piano Vocal Score
print culture studies
printed music
Representative Publicity
Ricciardo Amadino
Robert R. Holzer
Roger Chartier
Saint Bartholomew's Massacres
Solesmes Editions
Thomas Bauman
Thomas Christensen
Tim Carter
Triplet 16th Notes
written compositions
Young Men
Product details
- ISBN 9780815325741
- Weight: 860g
- Dimensions: 138 x 216mm
- Publication Date: 01 Nov 1999
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
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This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.
Kate van Orden is Assistant Professor of Music at the University of California, Berkeley. She has published on the Renaissance chanson and on French symbolism and music. She also specializes in historical performance on the bassoon and has performed and recorded with such ensembles as Les Arts Florissants, Collegium Vocale Ghent, Tafelmusik, and La Petite Bande.
