Music and the Sociological Gaze

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A01=Peter J. Martin
analysis of music
Author_Peter J. Martin
Category=AVA
Category=JBCC1
Category=JHBA
collaborative activities
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
improvising musicians
music
musicologists
social meanings
social settings
social stratification
sociological studies
Sounds and society

Product details

  • ISBN 9780719072161
  • Weight: 445g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Oct 2006
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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In this important new book, Peter J. Martin explores the interface between musicological and sociological approaches to the analysis of music, and in doing so reveals the differing foundations of cultural studies and sociological perspectives more generally. Building on the arguments of his earlier book Sounds and society, Dr Martin initially contrasts text-based attempts to develop a ‘social’ analysis of music with sociological studies of musical activities in real cultural and institutional contexts. It is argued that the difficulties encountered by some of the ‘new’ musicologists in their efforts to introduce a social dimension to their work are often a result of their unfamiliarity with contemporary sociological discourse.

Just as linguistic studies have moved from a concern with the meaning of words to a focus on how they are used, a sociological perspective directs our attention towards the ways in which the production and reception of music inevitably involve the collaborative activities of real people in particular times and places.

Peter J. Martin is Senior Lecturer in Sociology at the University of Manchester

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