Music and Visual Culture in Renaissance Italy

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Accademia Degli Invaghiti
Accademia Del Disegno
Biblioteca Del Conservatorio Di Musica
Cassone Panels
Castiglione's Il Cortegiano
Category=AGA
Category=AVLA
Dalla Volta
early modern art theory
eq_art-fashion-photography
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eq_music
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fifteenth century music
Franchino Gaffurio
Gerard Ter Borch
Giovanni Da Verona
interdisciplinary aesthetics
Italian art music interaction
Italian musical culture
Italy
Koninklijk Museum Voor Schone Kunsten
Liberal Art
material culture studies
Museo Internazionale
Music
Musica Mundana
Musica Nova
musical media
Musical pictures
musical symbolism
paragone
Portrait Of A Man
Renaissance
Renaissance art theory
Renaissance iconography
Rich Goods
Rosa Bella
Santa Maria Della Consolazione
Sistine Chapel Ceiling
Sofonisba Anguissola
Tuning Figures
Viola Da Braccio
visual arts research
Visual media
Vittore Carpaccio
Young Man

Product details

  • ISBN 9780367465391
  • Weight: 725g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life.

In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history.

Chapter 15 and Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Chriscinda Henry is Associate Professor of Art History at McGill University in Montreal, Canada.

Tim Shephard is Professor of Musicology at the University of Sheffield, UK, and simultaneously holds a status-only appointment as Associate Professor in History of Art at the University of Toronto, Canada.