Music and World-Building in the Colonial City

Regular price €70.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Helen English
Above Ground
Amateur Minstrels
Australian music
Author_Helen English
Benefit Concerts
Brass Band
brass band traditions
British migrants
Category=AVLP
Category=JHB
Category=NHM
Category=NHTQ
Choral Societies
Choral Union
class
Colonial City
colonial studies
Comic Song
community formation
cultural identity studies
cultural studies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Ethiopian Serenaders
gender
identity
Local Studies Collection
Maitland Mercury
Minstrel Groups
Minstrel Show
Music
music and emotions
music and well-being
music social integration in Australia
New South Wales
Newcastle Chronicle
Newcastle District
Newcastle Hospital
Newcastle Region
nineteenth-century migration
NSW
race
settler colonialism
sociomusicology
Sol Fa
Tonic Sol Fa
Victoria Theatre
Virginia Minstrels
Welsh Community
Welsh National Eisteddfod
Wolfgang Amadeus Mozart
World-Building
Young Men

Product details

  • ISBN 9780367495640
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Music and World-Building in the Colonial City investigates how nineteenth-century migrants to Australia used music as a resource for world-building, focusing on coalmining regions of New South Wales. It explores how music-making helped British migrants to create communities in unfamiliar country, often with little to no infrastructure. Its key themes are as follows:

  • people’s relationships to music within specific contexts;
  • how music-making intersects with class, gender and ethnic background;
  • identity through music.

Situated within a wider discourse on music and identity, music and well-being and music and emotions, this is an authoritative study of historical communities and their relationship with music. It will be of particular interest to scholars and researchers working in the fields of sociomusicology, colonial studies and cultural studies.

Helen J. English is a Senior Lecturer in Music at the University of Newcastle, Australia. She has a strong interest in music communities, past and present, and in capturing ways music is at work in the everyday and the out-of-the-ordinary day.

More from this author