Music as Image

Regular price €55.99
A01=Benjamin Nagari
Acousmatic Sound
analytical psychology
applied psychoanalysis
archetypal imagery
Author_Benjamin Nagari
Auxiliary Function
Benjamin Nagari
Category=ATF
Category=AVA
Category=JMAJ
Complex Psychological Capacity
creative arts
culture
CW 9I
Discrete Emotion Model
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Eyes Wide Shut
Fairy Tales
Fantastical Gap
film
Film Music
film music studies
Film Music Theory
film soundscapes
image
Inferior Function
Jean Cayrol
Jocelyn Pook
Jung
Jung's Psychological Types
Jung's Typology
Jungian analysis
Jung’s Psychological Types
Jung’s Typology
Local Conditioning
music
music therapy
music therapy research
Musical Archetype
Neurological Peculiarity
Nonvisual Image
Psyche's Capacity
Psyche's Structure
Psyche’s Capacity
psychological analysis of film music
synaesthesia studies
Synaesthetic Experience
therapy
Velvet Light Trap
Vice Versa
West Germany

Product details

  • ISBN 9780815357476
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Dec 2017
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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Through a theoretical and practical exploration of Jungian and post-Jungian concepts surrounding image, this book moves beyond the visual scope of imagery to consider the presence and expression of music and sound, as well as how the psyche encounters expanded images – archetypal, personal or cultural – on both conscious and unconscious levels. By closely examining music in film, Nagari considers music’s complementary, enhancing, meaningful, and sometimes disruptive, contribution to expressive images.

Chapters present a Jungian approach to music in film, highlighting how ‘music-image’ functions both independently and in conjunction with the visual image, and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts, Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the ‘film as a whole’ experience; and Part III implements a specific understanding of three individual film cases of different genres, eras and styles as psychologically scrutinised ‘case histories’.

Music as Image will be of interest to academics and students in the fields of applied psychoanalysis and Jungian psychology, music, film and cultural studies. With implications for music therapy and other art-based therapies, it will also be relevant for practising psychotherapists.

Benjamin Nagari gained a PhD in Jungian and Post-Jungian Studies from the University of Westminster, UK. He is also a prolific musician and composer; having started in Pop and Rock music he went on to composing for stage, radio and television, followed by film scores and concert music (symphonic, chamber, vocal and choral).