Music as Labour

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Afghan Musicians
Afghan Star
Black Administrators
Business
Category=AV
Category=JBCC1
Category=JBSF
Category=KJMV2
Category=KNTF
Classical Music
Classical Music Education
Classical Music Industry
Classical Music Profession
collective action for musician rights
Counterculture
Creative Industries
creative industries research
Creative Justice
Cultural Industries
cultural production
Early Career Musicians
Emotional Labour
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eq_bestseller
eq_business-finance-law
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Federal Republic Of Germany
Female Musicians
gender
gender and race in arts
institutional gatekeeping
International Federation of Musicians
labour relations in music
Lockdown Recording Project
Movie Theatre Owners
Music Education
Music Industry
Music Industry Workers
Music Production
music workforce precarity
Musical Labour
New Technologies
OPERA America
racism
Socioeconomic History
Sound Film
Sound Film Technology
UK Music
UK Music Industry
Vice Versa
Women Musicians

Product details

  • ISBN 9780367713621
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book brings together research at the intersection of music, cultural industries, management, antiracist politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism.

Providing insights into labour processes and practices, the authors investigate the changing role of manifold actors, institutions and technologies and the corresponding shifts in the valuation and evaluation of music achievements that have shaped the relationship between music, labour, the economy and politics. With research into a variety of geographic regions, chapters shed light on the various ways by which musicians’ work is performed, constructed and managed at different times and show that musicians’ working practices have been marked by precarity, insecurity and short-term contracts long before capitalism invited everybody to ‘be creative’. In doing so, they specifically examine the dynamics in music professions and educational institutions, as well as gatekeepers and mechanisms of inclusion and exclusion.

With a specific emphasis on inequalities in the music industries, this book will be essential reading for scholars seeking to understand the collective actions and initiatives that foster participation, inclusion, diversity and fair pay amongst musicians and other workers.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution- Non Commercial- No Derivatives 4.0 license.

Dagmar Abfalter is Associate Professor in the Department of Cultural Management and Gender Studies at mdw – University of Music and Performing Arts Vienna, Austria.

Rosa Reitsamer is Professor of Music Sociology in the Department of Music Sociology at mdw – University of Music and Performing Arts Vienna, Austria.