Music at World's End

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A01=Arni Heimir Ingolfsson
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Austria's immigration policy in the 1930s
Author_Arni Heimir Ingolfsson
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biographies of Jewish composers in exile
Category1=Non-Fiction
Category=AV
Category=AVC
Category=AVGC4
Category=AVGC6
Category=AVH
Category=AVLA
Category=AVM
Category=AVN
Category=AVP
Category=HBG
Category=HBJD
Category=HBLW
Category=HBT
Category=NHB
Category=NHD
Category=NHWR7
classical music development in Iceland 20th century
COP=United States
cultural integration of Jewish artists in Iceland
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eq_art-fashion-photography
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eq_history
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Exile during World War two
Heinz Edelstein
hidden histories of Holocaust-era music migration
Iceland's response to Jewish refugees
immigration policy in the 1930s
Jewish musicians escaping Nazi Germany and Austria
Language_English
lives of Jewish musicians in Iceland during WWII
Music and Exile
music and Jewish identity in wartime Europe
music and politics
Nazi persecution and the musical diaspora
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
Robert Abraham
softlaunch
the impact of emigre musicians on Icelandic culture
Victor Urbancic
World War II
WWII

Product details

  • ISBN 9798855800685
  • Weight: 581g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jan 2025
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A fascinating story of how three musicians, who escaped the Nazis, inspired Iceland's modern classical music.

In Iceland in the 1930s, classical music was only beginning to be seriously practiced, at the same time when musicians of Jewish heritage were fleeing Nazi Germany and Austria. Despite the country's strict immigration policy, three outstanding young musicians were allowed to settle there: Robert Abraham, Heinz Edelstein, and Victor Urbancic. Their influence on Iceland's music scene as conductors, instrumentalists, teachers, and scholars proved invaluable. In Music at World's End, the first in-depth study of the lives and careers of these three musicians, musicologist Árni Ingólfsson examines their formative years in Germany and Austria, their dramatic escapes from the Nazi regime, and their triumphs and frustrating setbacks in their new homeland, a country in which Jews were virtually unknown. This fascinating case study is a valuable addition to studies of musical exile during World War II and beyond.

Árni Heimir Ingólfsson is an independent scholar, lecturer, and pianist. He is the author of several books, including Jón Leifs and the Musical Invention of Iceland, and coeditor of Sounds Icelandic: Essays on Icelandic Music in the 20th and 21st Centuries.

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