Music by Subscription

Regular price €51.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Accompanied Keyboard Sonatas
Age Group_Uncategorized
Age Group_Uncategorized
Antonio Vivaldi
automatic-update
B01=Martin Perkins
B01=Simon D.I. Fleming
Catch Club
Category1=Non-Fiction
Category=AB
Category=AVGC3
Category=AVGC4
Category=AVH
Category=AVLW
Category=HBJD1
Category=HBLH
Category=HBTB
City's Musical Life
COP=United Kingdom
Delivery_Delivery within 10-20 working days
digital musicology research methods
East Indies
Edinburgh Musical Society
eighteenth-century British music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Gentlemen's Catch Club
Hathi Trust
historical musicology
IMSLP
Keyboard Concerto
King George III
Language_English
Local Musical Society
music patronage networks
Music Sellers
Musical Society
Musick's Monument
National Library
Oxford Musical Society
PA=Available
Piano Forte
Price_€20 to €50
print culture music
PS=Active
Scottish Dance Music
Scottish Music
softlaunch
subscriber lists analysis
Subscription Lists
Subscription Method
Vicar Choral
Weston Park
women composers Britain
Women Subscribers

Product details

  • ISBN 9780367756833
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music’s social spheres, the emergence of music publishing, and the potential of digital musicology research.

Simon D.I. Fleming holds a PhD in music from Durham University, and formerly taught in the Department of Music. He is currently Head of Music at the Queen Elizabeth Sixth Form College, Darlington, UK.

Martin Perkins holds a PhD from the Royal Birmingham Conservatoire, Birmingham City Unveristy, where he lectures in music history, theory, and performance.