Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

Regular price €217.00
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Act Iii
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Ewelina Boczkowska
B01=Michael Baumgartner
Beethoven's Music
Beethoven’s Music
British War Films
Cancan
Category1=Non-Fiction
Category=AB
Category=ATF
Category=AVG
Category=AVL
Category=H
Category=JBCT
Category=JFD
Category=NH
Chopin's Music
Chopin’s Music
Concertgebouw Orchestra
COP=United Kingdom
cultural identity studies
cultural studies
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology approaches
european film
film music
film music analysis
film studies
Flashback Sequence
French Cancan
Fryderyk Chopin
Goffredo Petrassi
Jan Troell
La Guerre Est Finie
La Note Bleue
Language_English
memory studies
memory studies research
music and film
music and historical trauma in film
News Reel
Official Soviet Narrative
PA=Available
post-Second World War Italy
postwar European history
Postwar Italian Cinema
Price_€100 and above
PS=Active
Radetzky March
Restorative Nostalgia
Schnittke's Music
Schnittke’s Music
softlaunch
soundtrack
trauma representation cinema
UK Film Industry
Van Parys
Verdi's Music
Verdi's Requiem
Verdi’s Music
Verdi’s Requiem
WWII
Young Men

Product details

  • ISBN 9781138238015
  • Weight: 602g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory.

Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.

Michael Baumgartner is Associate Professor of Musicology at Cleveland State University. Ewelina Boczkowska is Associate Professor of Musicology at Youngstown State University.