Music Commodities, Markets, and Values

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A01=Jayson Beaster-Jones
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Back Office Staff
Bollywood Film Songs
Category=AV
Category=AVA
Category=AVL
Category=AVX
Category=JBCC1
Category=KNT
Celebrity Appearances
Counterfeit Media
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnomusicology
Film Songs
Flagship Stores
Hindi Film
Hindi Film Songs
Holiday Promotions
Indian Music
Indian Music Industry
Indian Popular Music
Inlay Cards
Mobile Downloading
MP3 Format
Music
Music Business
Music Commodities
Music Companies
Music Metropolis
Music Recordings
Music Retail
Music Sellers
Music Store Owners
Music Stores
Popular Music
Recording Industry
Research
Rhythm House
South Asian Music
South Asian Studies
Young Man

Product details

  • ISBN 9781138947801
  • Weight: 460g
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Jun 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines music stores as sites of cultural production in contemporary India. Analyzing social practices of selling music in a variety of retail contexts, it focuses upon the economic and social values that are produced and circulated by music retailers in the marketplace. Based upon research conducted over a volatile ten-year period of the Indian music industry, Beaster-Jones discusses the cultural histories of the recording industry, the social changes that have accompanied India’s economic liberalization reforms, and the economic realities of selling music in India as digital circulation of music recordings gradually displaced physical distribution. The volume considers the mobilization of musical, economic, and social values as a component of branding discourses in neoliberal India, as a justification for new regimes of legitimate use and intellectual property, as a scene for the performance of cosmopolitanism by shopping, and as a site of anxiety about transformations in the marketplace. It relies upon ethnographic observation and interviews from a variety of sources within the Indian music industry, including perspectives of executives at music labels, family-run and corporate music stores, and hawkers in street markets selling counterfeit recordings. This ethnography of the practices, spaces, and anxieties of selling music in urban India will be an important resource for scholars in a wide range of fields, including ethnomusicology, anthropology, popular music studies, and South Asian studies.

Jayson Beaster-Jones is Associate Professor of Music at the University of California, Merced, USA.

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