Music, Difference and the Residue of Race

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A01=Jo Haynes
aesthetic
Aesthetic Resource
affi
Author_Jo Haynes
British world music scene analysis
Category=AVLW
Category=JBSL
Category=JHB
commonsense
Commonsense Discourses
Cosmopolitan Cultural Capital
cultural hybridity
discourse
ect
eff
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ethnic identity formation
Exclusivist Categories
Frith 1996a
globalization and music
Great Divides
Hybridised World Music
judgements
Ladysmith Black Mambazo
Music Affinities
Music Taste
musical
Musical Expression
nities
qualitative interviews
Racial Grammar
racialization in culture
Rst Century
Ry Cooder
Sociocultural Identification
sociology of music
Transnational Appropriation
UK Scene
WOMAD Festival
world
World Music
World Music Audience
World Music Category
World Music Consumer
World Music Festivals
World Music Industry
World Music Professionals

Product details

  • ISBN 9781138809574
  • Weight: 249g
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Jul 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Race and music seem fatally entwined in a way that involves both creative ethnic hybridity and ongoing problems of racism. This book presents a sociological analysis of this enduring relationship and asks: how are ideas of race critical to the understanding of music genres and preferences? What does the 'love of difference' via music contribute to contemporary perspectives of racism? Previous studies of world music have situated it within the dynamics of local/global musical production, the representation of nations and ethnic groups, theories of globalization, hybridization and cultural appropriation. Haynes adds a conceptual and textual shift to these debates by utilizing world music as a lens for examining cultural imaginaries of race and analytical nuances of racialization. The text offers a view of world music from 'within,' building on original, qualitative, interview-based research with people from the British world music scene. These interviews provide unique insights into the discursive repertoires that underpin contemporary culture, and will make a significant contribution to the mainly theoretical debates about world music.

Jo Haynes is Lecturer in Sociology at the University of Bristol. She has degrees from the Universities of Queensland (Australia) and Bristol and has conducted extensive research on ethnicity/race and music/culture, including a qualitative study of the British world music scene.

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