Music Drama at the Paris Odeon, 1824-1828

Regular price €83.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Mark Everist
acadmie royale
aristocracy
auber
Author_Mark Everist
barber of seville
beaumarchais
berlioz
bohemians
boieldieu
bourbon restoration
bourgeoisie
Category=AVLF
Category=NHT
charles x
chorus
composers
drama
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eugene scribe
faubourg st germain
france
french culture
french history
industrial revolution
july monarchy
la dame blanche
les trois genres
libretto
louis xviii
lyric theater
monarchy
music
music history
musical theater
napoleon
opera
opera comique
opera house
paris
paris odeon
performing arts
restoration
society
theater
tout paris

Product details

  • ISBN 9780520234451
  • Weight: 635g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Dec 2002
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odeon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odeon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odeon to flourish highlights the benefit of close and innovative examination of society's institutions.
Mark Everist is Professor of Music at the University of Southampton. He is the author of French Motets in the Thirteenth Century: Music, Poetry, and Genre (1994) and Polyphonic Music in Thirteenth-Century France (1989), as well as editor of three of the volumes in the series Le Magnus liber organi de Notre-Dame de Paris.

More from this author