Music, Electronic Media and Culture
Regular price
€192.20
acousmatic
Acousmatic Music
Acousmatic Sound
Affordance Structure
art
Bird's Eye
Bird’s Eye
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Category=JBCC
Chopin
composer
Dodo Egg
Electro-acoustic Music
electroacoustic
Electroacoustic Art
Electroacoustic Composer
Electroacoustic Music
Electroacoustic Sounds
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Iannis Xenakis
Indicative Fields
Industrial Music
lansky
Live Electronics
Ottorino Respighi
paul
Paul Lansky
pierre
radio
Radio Art
Real World Sounds
schaeffer
Sonic Rhetoric
sounds
Spectral Extraction
Throbbing Gristle
Timbral Manipulation
WDR
World War I Memorial
Product details
- ISBN 9780754601098
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 28 Dec 2000
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and invigorating as well as exploitative and destructive. This book addresses some of the issues now posed by the brave new world of music produced with technology.
Simon Emmerson, De Montfort University, UK Simon Emmerson, Luke Windsor, Ambrose Field, Simon Waters, Chris CutlerRobert Worby, Kersten Glandien, Katharine Norman.
