Music in 1853
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1853
A01=Hugh Macdonald
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Author_Hugh Macdonald
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Berlioz
Brahms
Category1=Non-Fiction
Category=AVGC5
Category=AVLA
composers
COP=United Kingdom
Delivery_Delivery within 10-20 working days
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eq_music
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European music
European musical scene
international
Language_English
Music
music history
musical politics
PA=Available
Price_€20 to €50
PS=Active
Romanticism
Schumann
softlaunch
Wagner
Product details
- ISBN 9781843837183
- Weight: 646g
- Dimensions: 156 x 234mm
- Publication Date: 21 Jun 2012
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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WINNER: 2013 CHOICE Outstanding Academic Title Award
No one composer is at the centre of this fascinating story, but a larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner, and of his antidote (as many saw him), Brahms.
Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet extending it to a group of musicians, their constant interconnections become the central motif: Brahms meets Berlioz and Liszt as well as Schumann; Liszt is a constant link in every chain; Joachim is close to all of them; Wagner is on everyone's mind. No one composer is at the centre of the story, but a network of musicians spreads across the map of Europe from London and Paris to Leipzig and Zurich.
Music in 1853 shows how musicians were now more closely connected than ever before, through the constant exchange of letters and the rapidly expanding railway network. The book links geography and day-to-day events to show how international the European musical scene had become. A larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner and of his antidote (as many saw him) Brahms.
HUGH MACDONALD is Avis H. Blewett Professor Emeritus of Music at Washington University, St Louis. He has authored books on Skryabin and Berlioz and has previously published Beethoven's Century: Essays on Composers and Themes with Boydell/URP.
HUGH MACDONALD was the Avis Blewett Professor of Music, Washington University, St Louis from 1987 to 2011. He is the author of many important books, including Beethoven's Century: Essays on Composers and Themes (URP, 2008), Music in 1853: the Biography of a Year (Boydell Press, 2012), and Saint-Saëns and the Stage (CUP, 2019).
