Music in a New Found Land

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A01=Manfred Holthus
A01=Wilfrid Mellers
American musical modernism
art music and jazz integration
Author_Manfred Holthus
Author_Wilfrid Mellers
Baritone Sax
Barrelhouse Piano
Barrelhouse Style
Bix Beiderbecke
Blitzstein
blues and ragtime evolution
Boogie Rhythm
Category=NH
Chopin
Country Blues
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flat Sevenths
Gershwin's Porgy
Gershwin’s Porgy
Good Life
Harmonic Movement
Ives's Music
Ives’s Music
jazz improvisation analysis
Jelly Roll
Linear Independence
Marc Blitzstein
Modern Jazz
music and cultural identity
Original Dixieland Jazz Band
Overtone Resonances
Passacaglia Theme
popular music scholarship
Sinfonia Sacra
Superb
Tin Pan Alley
twentieth-century composers study
Wallingford Riegger
Wilfrid Mellers
Young Man

Product details

  • ISBN 9781138528505
  • Weight: 1250g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The subject of this book is accurately defined by its subtitle. Music in a New Found Land does not pretend to be a comprehensive history of American music. Nor does Mellers strive to catalog what he considers to be authentic American music. Instead, he deals, in some detail, with comparatively few composers, most of whom have wellestablished reputations.

It has always been difficult to separate American music from its immediate relevance to the twentieth century. Mellers' theme involves the relationship between "art" music, jazz and pop music; he sees the segregation of these genres as both illogical and artifi cial. If the pop music of Tin Pan Alley may be anti-art, it has also produced Gershwin, Ellington, and composing improvisers such as Louis Armstrong, Charlie Parker, and Miles Davis.

The study of American music is as relevant into any inquiry into a national culture as the study of American literature and painting. This book contains a large number of quotations from American writers, because Mellers thought American sensibility should parallel, reinforce, and comment on American music. In sum, this is the closest available one-volume history of American music, and a window into American culture.

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