Music in American Nineteenth-Century History

Regular price €179.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
African American musicians
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Billy Coleman
B01=J. M. Mancini
Category1=Non-Fiction
Category=AV
Category=AVM
Category=HBJK
Category=NHK
COP=United Kingdom
cultural musicology
Delivery_Pre-order
educational music integration
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
gender and performance
labour movement songs
Language_English
Memorialization
Music and history
Music and politics
nineteenth-century US music culture
PA=Not yet available
Price_€100 and above
PS=Forthcoming
social history of music
softlaunch
Universal Design for Learning
Women and gender

Product details

  • ISBN 9781032941233
  • Weight: 440g
  • Dimensions: 174 x 246mm
  • Publication Date: 09 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book brings together a trail blazing collection of music scholars to explore the intersections, frictions, and resonances between nineteenth-century American music and history.

In the nineteenth-century United States, music was everywhere: from places of worship to the workplace, the parlor, the stage, and the street. Music accompanied paths of reform, supported both radical and conservative agendas, and helped Americans of all kinds to express patriotism, identity and resistance. The chapters in this volume unsettle longstanding assumptions about the types of music that were important to nineteenth-century Americans, where that music was performed, why, and for whom. And they underline the ability of music and musical practices to shed new light on questions of race, class, gender, and memorialization in the United States across the long nineteenth century. The volume offers insights for how and why to integrate nineteenth-century American music into history classrooms and highlights the need to embrace the challenge of interdisciplinary work to realize its greatest benefits.

This book will be relevant for students and researchers of American music history, cultural studies, and interdisciplinary historical analysis. The chapters in this book were originally published as a special issue of American Nineteenth Century History.

Billy Coleman is Associate Director of the Kinder Institute on Constitutional Democracy at the University of Missouri, United States. He is the author of Harnessing Harmony: Music and Politics in the United States, 1789–1865 (2020).

J. M. Mancini is Associate Professor of History at Maynooth University, Ireland, and, most recently, author of Art and War in the Pacific World: Making, Breaking and Taking from Anson’s Voyage to the Philippine-American War (2018).