Music in Black American Life, 1945-2020
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1940s
A24=Tammy L. Kernodle
A32=Cheryl L. Keyes
A32=Claudrena N. Harold
A32=Eileen M. Hayes
A32=Loren Kajikawa
A32=Nelson George
A32=Robin D. G. Kelley
A32=Tammy L. Kernodle
A32=Wayne Everett Goins
African American
African American music
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all-girl bands
American music
analysis
arranger
automatic-update
Bernice Johnson
Bernice Johnson Reagon
Bertha Gober
Black
Black music
Black Music Research Journal
Broadway
C01=Laurie Matheson
Category1=Non-Fiction
Category=AVC
Category=HBJK
Category=HBLW3
Category=HBTB
Category=JBSL
Category=JFSL3
Category=NHK
Category=NHTB
Cheryl L. Keyes
civil rights
Claudrena N. Harold
community
composer
contemporary gospel
COP=United States
CORE
course
Darlings of Rhythm
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divas
Double V
Duke Ellington
Eileen M. Hayes
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eq_history
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eq_society-politics
ethnography
exploitation
expressive culture
femininity
Freedom Singers
gender
gospel
Gwendolyn Pough
Hamilton
hip hop
historiography
International Sweethearts of Rhythm
jazz
Language_English
Lil' Kim
Loren Kajikawa
Mark Tucker
Mary J. Blige
Mary Lou Williams
Melba Liston
Motown
music history
musician
Nelson George
New York City
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participation
performing arts
pop culture
popular culture
post-World War II
postwar
practice
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racial
racism
radical
rap
reader
reception
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research
Robin D. G. Kelley
Rutha Mae Harris
scholarship
Sherrie Tucker
Shirley Caesar
SNCC
social
social action
social change
softlaunch
State Department Band
studies
survey
Tammy L. Kernodle
theory
Wayne Everett Goins
women
Product details
- ISBN 9780252044588
- Weight: 454g
- Dimensions: 156 x 235mm
- Publication Date: 23 Aug 2022
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu that folded many forms of black expressive culture into rap; and explain Hamilton's massive success as part of the "tanning" of American culture that began when Black music entered the mainstream.
Part sourcebook and part survey of historic music scholarship, Music in Black American Life, 1945–2020 collects groundbreaking work that redefines our view of Black music and its place in American music history.
Contributors: Nelson George, Wayne Everett Goins, Claudrena N. Harold, Eileen M. Hayes, Loren Kajikawa, Robin D. G. Kelley, Tammy L. Kernodle, Cheryl L. Keyes, Gwendolyn Pough, Bernice Johnson Reagon, Mark Tucker, and Sherrie Tucker
Laurie Matheson is the director of the University of Illinois Press and longtime editor of the series Music in American Life.
