Music in Crime, Resistance, and Identity

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B01=Eleanor Peters
Black Metal
black metal music
Black Women Rappers
Carceral Spaces
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Category=JKV
COP=United Kingdom
crime and politics
Criminalising Rap
criminology perspectives
Critical Criminology
cultural identity formation
cultural impact of music
Dead Kennedys
Death Metal
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Drill Music
Drowning Pool
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Hip Hop Wars
In-cell Television
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Metal Scene
music and criminal justice research
Music and human rights
music censorship studies
music genres and crime
Music Programme
Musical Listening
Musical revolution
Narrative Criminology
Occupy Wall Street
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protest music analysis
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Rap Music
resistance and music
Revolutionary Suicide
sociology of music
softlaunch
Sonoric Folds
Traditional Heavy Metal
Varg Vikernes
Violate
White Supremacist Capitalist Patriarchy
Young Men
Young Prisoners
youth justice interventions
Youth Justice System

Product details

  • ISBN 9781032030500
  • Weight: 220g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book considers the intersection of music, politics and identity, focusing on music (genres) across the world as a form of political expression and protest, positive identity formations, and also how the criminalisation, censuring, policing and prosecution of musicians and fans can occur.

All-encompassing in this book is analyses of the unique contribution of music to various aspects of human activity through an international, multi-disciplinary approach. The book will serve as a starting point for scholars in those areas where there has been an uncertain approach to this subject, while those from disciplines with a more established canon of music analysis will be informed about what each perspective can offer. The approach is international and multi-disciplinary, with the contributing authors focusing on a range of countries and the differing social and cultural impact of music for both musicians and fans. Academic disciplines can provide some explanations, but the importance of the contribution of practitioners is vital for a fully rounded understanding of the impact of music. Therefore, this book takes the reader on a journey, beginning with theoretical and philosophical perspectives on music and society, proceeding to an analysis of laws and policies, and concluding with the use of music by educational practitioners and the people with whom they work.

This book will appeal to students and scholars in subjects such as sociology, criminology, cultural studies, and across the wider social sciences. It will also be of interest to practitioners in youth justice or those with other involvement in the criminal justice system.

Eleanor Peters is senior Lecturer in Criminology at Edge Hill University. She has a PhD from the University of Bristol. Her main research interests are in the areas of youth and family justice and the relationship between music and crime. She has published in a number of journals including the British Journal of Criminology, the International Journal of Social Research Methodology and the Journal of Social Welfare and Family Law. Her most recent book is The Use and Abuse of Music: Criminal Records published in 2019.