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Music in Elizabethan Court Politics
Music in Elizabethan Court Politics
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A01=Katherine Butler
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Author_Katherine Butler
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Category1=Non-Fiction
Category=AVGC2
Category=AVLA
Category=HBJD1
Category=HBLH
Category=NHD
civic leaders
COP=United Kingdom
court politics
courtships
cultural identity
Delivery_Delivery within 10-20 working days
diplomacy
Elizabethan court
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
music
musical pageantry
musicians
noblemen
PA=Available
Price_€50 to €100
PS=Active
Queen Elizabeth I
relationships
royal authority
softlaunch
Product details
- ISBN 9781843839811
- Weight: 489g
- Dimensions: 156 x 234mm
- Publication Date: 15 Jan 2015
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song?
This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrumentof persuasion for the nobility.
KATHERINE BUTLER is a Senior Lecturer at Northumbria University, Newcastle.
KATHERINE BUTLER is Senior Lecturer in Music, Northumbria University. She is the author of Music in Elizabethan Court Politics (2015 and 2019).
Music in Elizabethan Court Politics
€92.99
