Music in Esports

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A01=Eulalia Febrer-Coll
audience engagement esports
audiovisual media
Author_Eulalia Febrer-Coll
Category=AV
Category=KNT
Category=UGN
Category=UMK
Category=UYU
character identity in games
digital media studies
entertainment industry research
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
esports
game music
games
gaming
ludomusicology
music
music integration in competitive gaming
OST
popular music
popular music analysis
soundtrack
transmedia
transmedia storytelling
video games

Product details

  • ISBN 9781032625355
  • Weight: 550g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book invites the reader to expand their idea of esports as an independent niche and consider it an integral part of a growing multi‑ and transmedia ecosystem that includes the global entertainment industry, where music plays an essential role.

The music present in and around esports games is an integral part of how they are communicated and mediated and, as such, holds a central role in binding their narratives cohesively and coherently to appeal to their audiences. Popular music theory is placed at the foundation of the issues raised in the chapters, as it is taken as a cornerstone for linking the esports international scene with the music industry. This text uses specific case studies from popular esports to support and illustrate each chapter, including League of Legends, Counter‑Strike, and Fortnite.

This book will be of great interest to researchers and students in the fields of esports, game design and development, musicology, and media studies.

Eulalia Febrer‑Coll is the Subdirector of the Music Department and Academic Coordinator of the MA in Musicology at Universidad Internacional de la Rioja (UNIR). She holds a PhD in Popular Music from Cardiff University.

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