Music in Ibero-America to 1850

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A01=Daniel Mendoza de Arce
Author_Daniel Mendoza de Arce
Category=AV
Category=GTM
Category=JBS
Category=NHT
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9780810839977
  • Weight: 1143g
  • Dimensions: 162 x 234mm
  • Publication Date: 11 Jul 2001
  • Publisher: Scarecrow Press
  • Publication City/Country: US
  • Product Form: Hardback
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When Latin Americans think of high art they do so primarily in terms of literature and the visual arts. In addition, the study of the first three centuries has until recently taken the back seat in the standard literature dealing with the music of that part of the world. This trend must be reversed for the lands south of the border to arrive at a broader understanding of their place in the world culture. This book attempts to redress the situation by providing the curious layman and the serious researcher with the tools to further clarify the role of cultivated music in the early life of the Ibero-American countries. It surveys the available historical data on personalities, events, and institutions that shaped the history of art music in Ibero-America (that is, its Spanish-speaking countries and Brazil) between the arrival of the Europeans in 1492 and 1850.

This study of Music and Music Activities in Ibero-America to 1850 emphasizes historical data rather than musical analysis. Folk and popular music are mentioned only to the extent that they have affected the cultivated strains of Ibero-American music. Of interest to music historians and students of Ibero-American culture.

Daniel Mendoza de Arce has taught at several universities in the U.S. and abroad. He has done research on colonial Uruguayan as well as Puerto Rican art music and society, and has published widely on topics ranging from music aesthetics to the epistemology of the social sciences.

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