A01=Alma Santosuosso
Alejandro Enrique Planchart
Andrew Hughes
Antiphonale Missarum Sextuplex
Author_Alma Santosuosso
Barbara Haggh
bnf
Category=AVLA
Chant Repertories
computer-assisted medieval music analysis
David Hiley
David Hughes
Dialogus De Musica
Disjunct Tetrachords
Dolores Pesce
Dominator Domine
Dominus Deus
Double Offices
ecclesiastical chant
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
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eq_non-fiction
Expositio Evangelii Secundum Lucam
Gloria Patri
Gregorian Chant
Gregorian chant research
Gregorian Repertory
Guido's Micrologus
Hermannus Contractus
Innocent Iii
Introit Trope
James Borders
James John Boyce O. Carm
Jane Morlet Hardie
John Caldwell
Joseph Dyer
lat
Liber Politicus
Ll Dobszay
Magnificat Antiphons
medieval liturgy studies
Michel Huglo
music paleography
Notre-Dame school
Octave Species
Philip Weller
polyphonic music analysis
Pontificale Romanum
Puer Natus
Rebecca A. Baltzer
Ruth Steiner
Salamanca Cathedral
St Jean De
Terence Bailey
Terribilis Est Locus Iste
Theodore Karp
Thomas B. Payne
Twelfth Century Antiphoner
Vice Versa
William John Summers
Product details
- ISBN 9780754652397
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 12 Jan 2007
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
Terence Bailey is Professor Emeritus at the University of Western Ontario, Canada. Alma Santosuosso is Professor at Wilfrid Laurier University, Canada.
