Music in Seventeenth-Century Naples

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A01=Dinko Fabris
Act III
Alessandro Scarlatti
Author_Dinko Fabris
Biblioteca Del Conservatorio
cappella
Care Selve
Category=AV
conservatorio
Conservatorio Dei
Conservatorio Dei Turchini
Conservatorio Della
Conservatorio Di
Cristoforo Caresana
dei
Dei Turchini
early opera research
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Febi Armonici
francesco
Francesco Provenzale
girolamini
Hymn Pange Lingua
Italian conservatoires
Maestro Di
Maestro Di Cappella
Marco Marazzoli
Masaniello Uprising
musicological archival analysis
Neapolitan Baroque music
Neapolitan Conservatoire
Neapolitan harmonic practices in Baroque era
oratorio
Oratorio Dei Girolamini
Pange Lingua
Pastor Fido
provenzale
real
Real Cappella
sacred music studies
seventeenth-century composers
turchini
Ulisse Prota Giurleo
Young Man

Product details

  • ISBN 9780754637219
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jan 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The most important figure of seventeenth-century Neapolitan music, Francesco Provenzale (1624-1704) spent his long life in the service of a number of Neapolitan conservatories and churches, culminating in his appointment as maestro of the Tesoro di S. Gennaro and the Real Cappella. Provenzale was successful in generating significant profit from a range of musical activities promoted by him with the participation of his pupils and trusted collaborators. Dinko Fabris draws on newly discovered archival documents to reconstruct the career of a musician who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries (Raimo Di Bartolo, Sabino, Salvatore and Caresana) and pupils (Fago, Greco, Veneziano and many others), revealing both stylistic similarities and differences, particularly in terms of new harmonic practices and the use of Neapolitan language in opera. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century which so clearly laid the groundwork for Naples' later status as one of the great musical capitals of Europe.
Dinko Fabris is Lecturer in History of Music at the University of Basilicata and Conservatorio di Bari, Italy. He has published several books and articles on lute and keyboard tablatures, patronage and music in Spanish Naples.

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