Music in Star Trek

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artificial intelligence ethics
aural narrative analysis
Captain Pike
Category=AB
Category=ATFN
Category=AVL
Category=JBCT2
Category=NH
Deep Space
Deep Space Nine
dystopia
Enterprise
Enterprise Crew
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
False Utopia
fan cultures
Fan Objects
fandom
fandom studies
Gene Roddenberry
Humpback Whale
Leonard Nimoy
Main Title Theme
media studies
music and ideology in speculative media
music and television
musicology
orchestration in science fiction
participatory media research
popular culture
religious symbolism analysis
science fiction
science fiction film
science fiction television
screen music
sound effects
soundtrack
Star Trek
Star Trek Fans
Star Trek Films
Star Trek Franchise
Star Trek II
Star Trek Iv
Star Trek score
Star Trek theme
Star Trek Universe
Star Trek's Writers
Starfleet Officer
television sound studies
television studies
The Next Generation
Title Cues
Tv Spot
Unboxing Videos
utopia
VOY Episode
Voyager
Whale Song
William Shatner
World War III

Product details

  • ISBN 9781138615243
  • Weight: 580g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The tensions between utopian dreams and dystopian anxieties permeate science fiction as a genre, and nowhere is this tension more evident than in Star Trek. This book breaks new ground by exploring music and sound within the Star Trek franchise across decades and media, offering the first sustained look at the role of music in shaping this influential series. The chapters in this edited collection consider how the aural, visual, and narrative components of Star Trek combine as it constructs and deconstructs the utopian and dystopian, shedding new light on the series’ political, cultural, and aesthetic impact.

Considering how the music of Star Trek defines and interprets religion, ideology, artificial intelligence, and more, while also considering fan interactions with the show’s audio, this book will be of interest to students and scholars of music, media studies, science fiction, and popular culture.

Jessica Getman is an Assistant Professor of Musicology/Ethnomusicology at California State University, San Bernardino, and a film musicologist focusing on music in television and science fiction media.

Brooke McCorkle Okazaki is an Assistant Professor of Music at Carleton College in Northfield, Minnesota. She specializes in opera of the nineteenth and twentieth centuries, film music, and the music of modern Japan.

Evan Ware is Assistant Professor of Music Theory and Composition at California State Polytechnic University, Pomona. His scholarship focuses on reinterpretation and meaning in popular and film/television music.