14th-century France
A01=Nigel Wilkins
Author_Nigel Wilkins
Britain
Category=AVLA
Category=DSBB
Chaucer's poems
early music performers
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
instruments
Italy
Landini
Machaut
music and literature
national styles
repertory
settings
Product details
- ISBN 9780859915656
- Weight: 564g
- Dimensions: 219 x 276mm
- Publication Date: 13 Apr 1995
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Survey of the relationship between music and literature in 14c France, Italy and Britain, with appendix of all songs attributed to Chaucer.
An absorbing survey... He is an expert on the French song of the period, consequently his wider view of Chaucer's musical background is well worth reading ... and he has much to say about Italy and England. The music is first-rate, and early music performers will find these songs a welcome addition to their repertory. EARLY MUSIC
Although Chaucer himself was never described as a musician, a number of his poems are based on French models which belongto a well-established musical tradition, and there are also many references to musical activities in his larger works. This is the starting point for Dr Wilkins's book, which explores both the wider question of the relationship between music and literature in the fourteenth century and the specific area of Chaucer `songs'. He surveys the musical and literary scene in France, Italy and Britain during Chaucer's lifetime, with special emphasis on composers such as Machaut and Landini, and on the differences in national styles. The performance of music and the instruments used are also fully explored.
The discussion of Chaucer's musical background is illustrated in the accompanyingsettings presented with words by Chaucer - ten ballades, three complaintes (or chants royaux), and one rondeau.
Fully illustrated with black and white photographs and musical examples.
New edition; first published 1979, 1980.
